Cuesta Arriba
Tango Club
Cuesta Abajo, Cuesta Arriba
One of the themes of tango lyrics has been the idea of being dragged downwards by life:
cuesta abajo
(downwards) in Gardel's famous song,
or more forcefully, bajofondo
: down to the bottom,
a word instantly identified firstly with the famous lyric of Catulo Castillo, La última curda
(the final binge),
and now with the Bajofondo Tango Club
Now it's true that there's good stuff buried down in the mud, but this isn't an aspect brought out by tango lyrics!
So instead we've decided to call our club cuesta arriba
- upwards.
And there's a tango lyric with this title as well.
skip to this month's selections
Welcome to our Tango Music Club!
Nothing improves your dancing so much as a good feeling for the special qualities of tango music. The idea of the club is to help you build a library of good tango music, tailored to your own tastes. For a fixed monthly subscription, the price of one of our cheaper tango CDs, you get:
- a tango cd every month delivered to your door - take our recommendation, or choose one of the alternatives
- Free postage on your club order
- Free postage on any other CDs you buy from us (within the UK)
- preference for low stock or deleted items
If you join but later decide that the club is not for you, there's no tie-in - you can cancel your membership at any time.
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This month's cds (October 2008):
Ever since the club started, I've been meaning to bring you a cd of the delightful Enrique Rodríguez - this month, I've finally managed it! We also have a second cd from EURO records; this time, it's a cracking D'Arienzo milonga cd. Again, this offer is for this month only.
There's also a cd of Candombes and Milongas from the great Alberto Castillo, and bringing up the rear is the transition era orchestra of Francini-Pontier
Next month: a new cd from Hugo Díaz (sort of) and the first lp of Lágrima Riós, plus more great classic tangos.
Enrique Rodríguez - Tangos con Armando Moreno
Reliquias 529105
The orchestra of Enrique Rodríguez is one of those that tango intellectuals like to denigrate, and in fact his rehabilitation (if that's not too strong a word) was due to his recent popularity in some of the best milongas in Europe - forcing Reliquias into printing tangos that were being demanded by the dancing public on the other side of the ocean.
His orchestra was not an orquesta típica - a straight tango orchestra - but an orquesta characteristica. These outfits played not just tangos but also other ballroom and latin rhythms. The main benefit of this was that, if organising a private party, you could get away with hiring only one orchestra rather than two or three.
Rodríguez's orchestra was so successful in this that his was known as the orquesta de todo los ritmos - the orchestra of all rhythms. That's not to say he didn't play good tangos. The rhythmic conception is fairly simple, but then so is that of De Angelis or Canaro.
Pretty much ignored in the early part of the tango revival in Argentina, El Bandoneón printed a cd of his tangos in the year 2000 and eventually Reliquias followed suit. There are now 9 of his cds in the famous lime green and yellow covers, which should give you an idea of how important an orchestra his is.
His most famous and enduring partnership was with singer Armando Moreno, and it's a cd of their tangos that we present this month. Do get one of these - you'll love it. You can dance enjoyably to every track, whilst Llorar por una mujer and Yo también tuve un cariño reach the level of real greatness.
Track list
- Naranjo en flor
- La vi llegar
- Luna llena
- A media luz
- Tango argentino
- Un tropezón
- El tabernero
- La gayola
- Suerte loca
- Llorar por una mujer
- Como has cambiado pebeta
- En la buena y en la mala
- Mi piba
- Adiós para siempre
- Mirame de frente
- Tu cielo y tu
- Adiós muchachos
- Tu intimo secreto
- Y así nació este tango
- Yo también tuve un cariño
Milongueando con Juan D'Arienzo
EU 16025
This storming cd from EURO record's Archivo RCA presents 20 milongas from the king of the beat, Juan D'Arienzo, including the killer and hard to find La cicatriz. Hot stuff.
Track list
- De pura cepa
- Silueta porteña
- La puñalada
- El esquinazo
- Meta fierro
- Milonga del recuerdo
- De antaño
- La cicatriz
- Carnavalera
- Tirando a matar
- Oro de ley
- Chaparrón
- Mucho mucho
- Pampeana
- Bien porteña
- Baldosa floja
- Munyinga
- Engañadora
- Me llaman milonga
- El chapucero
- La paparruchita
- Prometedora
Cantan:
Walter Cabral (2); Alberto Echagüe (5-8, 11,12); Héctor Mauré (9,10); Armando Laborde (13); M.Bustos - J.Valdéz (16); Horacio Palma (19,22)
Alberto Castillo - Candombes y milongas
EMI 499 974
Yes that's right - an album consisting entirely of candombes and milongas from the enduringly popular Alberto Castillo, after his break from Tanturi. (Okay there are a few marches as well). Like your tango with drums? Then this is for you.
Track list
- Siga el baile candombe
- Baile de los morenos candombe
- Charol candombe
- Estampa del 800 candombe
- El cachivachero candombe
- La pulgita candombe
- Candombeando candombe
- Café candombe
- El gatito es telado candombe
- Macumba cumba marcha
- Mariana candombe
- Candombero milonga
- Vestido punzo milonga
- Bronce milonga
- Yo soy milonga milonga
- Candonga milonga
- El aguatero porteño milonga
- Es Buenos Aires marcha
- Soltero o casado marcha
- Año nuevo marcha
Francini/Pontier 1951/1955
EU 16027
Transition era recordings from the former stars of Miguel Caló, with impeccable fidelity.
Track list
- Discepolín
- Pa' que sepan cómo soy
- Por seguidora y por fiel
- Por una mala mujer
- Certificao
- Viejo smoking
- Olvidao
- Una canción
- Prohibido
- Caricias perdidas
- Tengo un amigo
- Azabache
- Sin lágrimas
- Cuando talla un bandoneón
- Los cosos de al lao
- Perdóname
- Noche de locura
- Ronda azul
- Por una muñeca
- Cuartito azul
- Barra querida
- Por unos ojos negros
Cantan:
Héctor Montes (1)
Julio Sosa (2-7)
Mario Lagos (8,10)
Pablo Moreno (9,11-14)
Roberto Florio (15,19,20,22)
Luis Correa (16-18,21)
Cuarteto Cedron: Piove en San Telmo (Canciones lunfardas)
AQUA AQ 071
Juan “Tata” Cedrón has been directing his quartet for over 40 years, continuing in Paris the work he began in Buenos Aires in the 1960s. A prolific composer and an original and influential musician, his ear for the songs and language of Buenos Aires is particularly apparent in this 2005 album which presents songs rich in the unique argot of that city, lunfardo. Italian speakers will by now have translated the title: Dust in San Telmo, but I have to be honest and tell you that I don't even understand all the titles
This is the kind of music you'd dance to if you heard it live, but on disc you're more likely to enjoy it as a listener. Jazz lovers in particular will enjoy this music - consider that Cedrón has made a successful living in Paris for 30 years, and you'll have some idea.
This album on the small Argentine label Acqua sold well and has now gone out of print, so if you fancy one this is probably your last chance.
Read an interview with Juan Cedron in the Argentine broadsheet pagina 12 (Spanish only).
Track list
- Piove en San Telmo
- Los adioses
- Candombe para el que hasta ayer reía
- A Rosalía
- La luna que yira
- Milongazo
- Milonga de la mufiña
- Virgencita criolla
- Milonga para amar
- Mares
- Floreo
- La calesita del tiempo
- A Lola Mora
- Fiaca
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