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Cuesta Arriba Tango Club

Cuesta Abajo, Cuesta Arriba

One of the themes of tango lyrics has been the idea of being dragged downwards by life: cuesta abajo (downwards) in Gardel's famous song, or more forcefully, bajofondo: down to the bottom, a word instantly identified firstly with the famous lyric of Catulo Castillo, La última curda (the final binge), and now with the Bajofondo Tango Club

Now it's true that there's good stuff buried down in the mud, but this isn't an aspect brought out by tango lyrics! So instead we've decided to call our club cuesta arriba - upwards. And there's a tango lyric with this title as well.

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Nothing improves your dancing so much as a good feeling for the special qualities of tango music. The idea of the club is to help you build a library of good tango music, tailored to your own tastes. For a fixed monthly subscription, the price of one of our cheaper tango CDs, you get:

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This month's cds (January 2011):

This month: Edgardo Donato


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Tango collection - Edgardo Donato

RGS 1640

Since El Bandoneón deleted their Donato CDs a few years ago, there has been nowehere to refer you to for lots of classic tracks from Edgardo Donato. El huracán, Chiqué, Hácete cartel, and La cumparsita were completely unavailable, whilst Santa milonguita, El día que me quieras, Ruego, were only available on an expensive mp3 collection from Argentina. I could also add El chamuyo, only recently available once more on the 10 CD box on Membrán.

Now you can find all these tracks on this new CD from RGS. The CD is not entirely classic 30s Donato cuts however; there are also 7 cuts from 1950-1951. Apart from the instrumental El acomodo, you can spot these on the listing from the vocalists, Adolfo Rivas and Carlos Almada. These are mostly forgettable, although the vals is fun and it's interesting to hear both versions of Donato's signature track, Se va la vida.

The fidelity is okay, but nothing outstanding, certainly no better than what we had from El Bandoneón. As so often with Argentine labels, the singer information on the back cover is incomplete. Nevertheless the album becomes essential by virtue of being the only player in a sparsely populated field. Great value at 25 tracks.

Track list

  1. La cumparsita
  2. El huracán
  3. Chiqué
  4. El camión
  5. Se va la vida (1950)
  6. El día que me quieras
  7. Porque no me besas vals
  8. Preparate pa´l domingo
  9. El acomodo (1951)
  10. Santa milonguita
  11. Por qué doblan las campanas
  12. La caída de la estantería
  13. El vinacho
  14. Pasíon criolla
  15. Tierrita
  16. Rosa poneme una ventosa
  17. Hácete cartel
  18. Papas calientes tango-milonga
  19. Carnaval de mi barrio
  20. Ruego
  21. Sácale punta milonga
  22. El adiós
  23. El chamuyo
  24. Se va la vida (1936)
  25. La tablada
Cantan:


Rodolfo Biagi - Sus éxitos con Alberto Amor

EMI 499968

When I first listened to this CD I liked it for only one track: the killer milonga Pobre negrito (Flor de Montserrat). There's nothing else like it, and the rest of the CD features a Biagi we don't really recognise. Alberto Amor's first recordings with Biagi are in 1943 - some years after Biagi's fast paced early hits with Teófilo Ibáñez and Andrés Falgás. Amor's opportunity came when Jorge Ortiz left Biagi to work with Miguel Caló. They recorded 30 tracks together in the years 1943-1947; 20 of them are in this disc.

The way to approach this music is not to expect from it what you expect from early Biagi, because it's not fast-paced. Imagine that it's Biagi's elder brother. This is the same period when Héctor Mauré recorded with Juan D'Arienzo and it's a similar pairing, although not as classy. Mauré imposed a slower and more melodic interpretation upon The King of The Beat, and the best of Biagi/Amor has the same feeling, for instance in tracks such as Arlette where Amor's baritone voice carries the melody over an arrangment that is more melodic than usual. It's a classic track, and amazingly comes from their first session together. The best tracks are the slower ones: Marol maintains the same feeling. Find the right time to play it - later in a long evening, or even at a tea dance - and it's right on the spot.

As ever with Biagi there are nice milongas and valses. Recommended if you are looking for something a little different.

Track list

  1. Nada
  2. Café de los angelitos
  3. Si la llegaran a ver
  4. Arlette
  5. Paloma vals
  6. Me quedé mirándola
  7. Cuando llora la milonga
  8. Tus labios me dirán
  9. Seamos amigos
  10. Pobre negrito (Flor de Montserrat) milonga
  11. Cuatro lagrimas
  12. Marol
  13. Y dicen qie no te quiero
  14. Por algo será
  15. Prisionero vals
  16. Tres horas
  17. Lucienne
  18. Hoy te quiero mucho más
  19. Pudo ser una vida
  20. Con mi perro milonga
Cantan:

Alberto Amor (1-20)



Carlos Di Sarli - sus priméros éxitos vol.1 - Roberto Rufino

TARG 41298

Carlos Di Sarli is one of the legendary figures of the golden age of tango, one of the first names to come to mind whenever tango music is discussed. But it was not always so. In 1931, considered merely derivative of Fresedo - with whom he had worked for a while as a pianist, in one of the 5 parallel live orchestras that the maestro ran in the mid 1920s - Di Sarli lost his recording contract and thus effectively his job in the cutbacks following the talking-pictures revolution. In the mid 1930s he left Buenos Aires, withdrawing to Rosario.

He re-formed his orchestra in 1938 and, after achieving success on Radio El Mundo, re-entered the recording studio on December 11th, 1939, after an absence of nearly a decade. He choose to inaugurate the next phase of his career on record with the two now iconic opening chords of the wonderful tango Corazón, his own composition.

It's hard to take in that the singer on that day, Roberto Rufino, was only 17 years old. He sings with a maturity that belies his age. People grew up faster in those days.

This album is just quality from start to finish. Rufino's voice soars like a bird above Di Sarli's strings, which handle both the rhythm and the melody. The few valses and the one milonga - like Pugliese and Troilo, Di Sari recorded very few - are excellent.

Track list

  1. Tristeza marina
  2. Verdemar
  3. Mañana zarpa un barco
  4. Canta, pajarito
  5. Cosas olvidadas
  6. Rosamel vals
  7. Charlemos
  8. En un beso la vida
  9. El cielo en tus ojos
  10. Pena mulata milonga
  11. Patotero
  12. Cascabelito
  13. Griseta
  14. Alma mía vals
  15. Corazón
  16. Necesito olvidar
  17. Un día llegará
  18. Cornetín
  19. Noche de carnaval (Otra vez carnaval)
  20. Tarareando


Yiddish Tango

RGS 1261

A real curiousity: a CD of Yiddish tangos, both classic and contemporary, form various artists. Zully Goldfarb is a contemporary Argentine tango singer.

Limited stock

Track list

  1. Papirosen - Zully Goldfarb
  2. Gedenk - Benzio Witler
  3. A bisale glik - Benzio Witler
  4. Tate mame - Rosita Londner
  5. Ale farloin - Benzio Witler
  6. A shoa daine - Shifra Lerer
  7. Skripka - Henri Gerro
  8. Yiddish tango - Bernard Potock
  9. Rivka ben zabes - Bernard Potock
  10. Zwei schwrartze oygn (Two dark eyes) - Benjamin Sandler
  11. Friling - Zully Goldfarb
  12. Mir lebn eybik - Duo Myr
  13. Ich hob dich lieb - Jacob Sandler
  14. Libste (Dearest) - Benzion Witler
  15. Tango margarita - Jacob Sandler
  16. La cumparsita - Jose Derasner


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