Juan D'Arienzo
Homenage Sony BMG: El Rey del Compás 70 Años
15 CDs celebrating the 70th anniversary of D'Arienzo at RCA Victor
Celebrating 70 years since the signing of Juan D'Arienzo to RCA Victor in 1935, BMG Argentina have produced this slick new CD reissue entitled Homenaje a El Rey del Compás - Homage to the King of the Beat. This series is not his complete works (964 tracks by my reckoning - perhaps 45 CDs) but 310 of his best tracks spread over 15 CDs. This beautiful new release, with good sound, excellent sleeve notes (Spanish only) immediately establishes itself as the series of choice for lovers of D'Arienzo's music, displacing the 9 CDs on BMG's Tango Argentino label. The graphic design is first rate - much better than what we have become accustomed to from Argentine CDs. Looking at the selections, it's very pleasing to see just how many of D'Arienzo's waltzes have been included: many more than normal. These have been under-representated in tango reissues of the past. After all, say the purists, waltz isn't real tango, is it?
Along with the good points there are one or two oddities as well. BMG Argentina seem not to know, or not to care, that the main sales of these CDs will be in Europe and North America, and the excellent sleeve notes are only in Spanish.
Tracklists
Click on the word "tracklist" under each CD to make the tracklist appear and disappear, or use these buttons to show or hide all the tracklists (not recommended).
The series is also a little too even-handed, representing D'Arienzo's later years as much as his earlier ones, although in a patchy manner: the years 1960-1961, when D'Arienzo was at his most camp, get two CDs, whilst the period 1964-1975 (basically D'Arienzo's entire stereo output) is swept up into one CD. You'll still be buying those tracks somewhere else. Personally I would have preferred to have seen a little less of the 60s material and a little more from the 30s and the 70s - in fact the complete works from the 30s (117 tracks instead of the 53 we have here) would not have been out of place in a series of this quality. My suspicion is that BMG just don't have access to good condition 78s to prepare the transfers. They have added a little reverberation on many of the tracks of the earlier CDs. This is a common tick to disguise small imperfections. Many of the LP reissues of this material were the same, and so are the CDs reprinted from them. Here the use of reverberation is quite mild - you probably won't notice unless you have unprocessed originals to compare with. Still, I wish they hadn't done it.
Complaints aside, this is an excellent release, and the new standard for D'Arienzo.
De pura cepa (1935-1936)
BMG 669330
Brilliant album with 9 waltzes, including the hard to find Pabellón de las rosas, and two milongas amongst its twenty tracks. Superb sleeve notes inform you, for instance, that Lidio Fasoli is the pianist for the first five tracks, with Rodolfo Biagi joining for the recording date of 31st December 1935 that produced 9 de julio and Orillas del plata. Listen yourself for the change in style.
Criticisms? Early D'Arienzo is just so good, I would loved to have seen every track from this period, but that's hardly a criticism. The sleeve notes are only in Spanish. However, there are two tiny mistakes. El flete has a jump at 1'54", just before the variación (use the version on Solo Tango instead), and the waltz Una lágrima has been transferred a semitone too quick - unless you've heard it transferred correctly you won't notice.
Track list
- Hotel Victoria
- Francia vals
- De pura cepa milonga
- Joaquina
- Pabellón de las rosas vals
- Nueve de julio
- Orillas de plata vals
- Silueta porteña milonga
- El flete
- Tu olvido vals
- Lorenzo
- La payanca
- Rawson
- Amor y celos vals
- Lágrimas y sonrisas vals
- Una lágrima vals
- Ataniche
- Corazón de artista vals
- La viruta
- Visión celeste vals
El esquinazo (1937-1938)
BMG 669331
As good as the first, with more rare waltzes. Biagi is the pianist on all these tracks except the last when, having left D'Arienzo to form his own band, he is replaced by Juan Polito. We also see the first appearance of Alberto Echagüe, but many of his great hits from the end of 1938 are skipped over for want of room.
Track list
- Que noche!
- Alma dolorida vals
- El apronte
- Mentías vals
- La puñalada milonga
- El cachafaz
- El choclo
- El porteñito
- Paciencia
- Gallo ciego
- El africano
- El esquinazo tango-milonga
- Indiferencia
- Rodriguez Peña
- El aeroplano vals
- Milonga del corazón milonga
- El cisne
- La catrera
- Champagne tango
- No mientas
Canta:
- Alberto Echagüe (13,16,20)
Meta fierro - Yunta brava (1939-1940)
BMG 669333
In March 1940, riding the crest of a wave of popularity, D'Arienzo lost his entire orchestra and his singer Alberto Echagüe when pianist Juan Polito left D'Arienzo to set up his own outfit. D'Arienzo persuaded bandoneónista Héctor Varela to put his orchestra at D'Arienzo's disposal, recruited Cayetano Puglisi as violinist, and placed an 18 year old Fulvio Salamanca in the pianist's chair. The new orchestra was even more successful than the old one. Five milongas, four waltzes.
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Track list
- Yunta Brava
- Meta Fierro milonga
- Maipo
- Derecho Viejo
- Milonga Del Recuerdo milonga
- Mandria
- Castigo vals
- Felicia
- De Antaño milonga
- Santa Milonguita
- La Cicatriz milonga
- Pampa
- Que Dios Te Ayude
- Ay Aurora vals
- La Bicoca
- El Tigre Millan
- Rie Payaso
- Milonga Del 83 milonga
- Flor Del Mal vals
- Miedo vals
Canta:
- Alberto Echagüe (2,5,7,9-11,13,14)
- Alberto Reynal (16,18)
- Carlos Casares (17)
- Héctor Maure (19,20)
El rey del compás (1941-1943)
BMG 669334
Echagüe's replacement as lead singer in the D'Arienzo orchestra was Héctor Mauré. Before and after Mauré, every singer in the D'Arienzo outfit had to fit themselves to the compás of the orchestra. With Mauré however things were different. He imposed a more equal relationship between orchestra and singer, very much the mould of the 1940s. The fifty numbers they recorded together may not be the most representative of D'Arienzo's output, but they do rank amongst the highest in quality.
Track list
- El Rey Del Compás
- Ya Lo Ves
- Dime Mi Amor
- Tierrita
- Adios Querida vals
- El Olivo
- Humillación
- La Serenata De Ayer vals
- Sobre El Pucho
- Carnavalera milonga
- Cuatro Palabras vals
- El Resero
- Claudinette
- Tirando A Matar milonga
- Pompas De Jabon
- Vieja Recova
- Compadrón
- Enamorado (Metido)
- Vea Vea
- Si La Llegaran A Ver
Canta:
- Héctor Maure (2-11,13,14,17,18,20)
- Juan Carlos Lamas (15,16)
Corrientes y Esmeralda (1944-1949)
BMG 669339
Towards the end of 1944 Echagüe returned and Mauré left not long after. The drop in quality of the orchestra is dramatic; D'Arienzo/Echagüe, one of the great binomials of tango, simply doesn't do slow tango very well, and musically the second half of the 1940s represents a lull for the orchestra.
Track list
- El romántico
- Lilian
- Amarras
- No nos veremos nunca
- Oro de ley milonga
- El paisanito milonga
- Me gusta bailar milonga milonga
- Corrientes y Esmeralda
- Leguísamo Solo
- Don Alfonso
- La espuela milonga
- Pan comido
- Chaparrón milonga
- Desde aquella noche
- El penado 14
- Cambalache
- Dios te salve m'hijo
- El raje milonga
- La maleva
- Farabute
- Yuyo brujo
- El potro
Canta:
- Héctor Maure (2,3)
- Alberto Echagüe (4-9,12,13)
- Armando Laborde (14,17,21)
Bien Pulenta (1950-1952)
BMG 669340
In 1950 the D'Arienzo orchestra magically reinvigorated and reinvented itself as the orchestra with a driving compás par excellence. After five months without recording anything - unheard of for the orchestra - they returned to the studio in May 1950 and recorded Canaro en París.
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Track list
- Canaro en París
- Bien pulenta
- Precio
- Tucumán
- A puño limpio milonga
- No va más
- Don Juan
- La cumparsita
- Amarroto
- Ganzúa milonga
- Este carnaval
- No llores madre vals
- Viva mi tierra Argentina milonga
- El simpático
- N.P. (No Place)
- Todo varón
- Yapeyu
- Luis Alberto
- Y suma y sigue
- Y siempre la misma historia
- El pollo Ricardo
- Viejo smoking
Canta:
- Alberto Echagüe (2,5,6,9-11,15,19,20)
- Roberto Lemos (3,13,16)
- Armando Laborde (22)
Mucho Mucho (1953-1954)
BMG 669344
The orchestra continues to unleash a string of instrumentals of the very highest quality:
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Track list
- Independencia
- Toma estas monedas
- Mucho mucho milonga
- Peringundin milonga
- Joaquina
- Te odio y te quiero
- El torito milonga
- El entrerriano
- Tu boca mintio
- El choclo
- Canzoneta
- Sentimiento de calavera
- La sonrisa De mamá vals
- El simpatico
- Che existencialista
- Don Orlando
- Fatal y tanguera
- Muchachos arranquemos para el centro
- La payanca
- El internado
- Pero... pobre de ellos
Canta:
- Alberto Echagüe (2,4,6,12,14,17,20)
- Armando Laborde (3,9,11,13,16)
Viento Sur (1954-1955)
BMG 669345
Singers Echagüe and Laborde prove that the best vocal numbers from this period are almost (note that's "almost") as good as the stunning and entirely famous instrumentals.
The band, unchanged since the second half of 1950, are rock solid.
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Track list
- Don Pacifico
- Esta Noche Me Emborracho
- El Tarta
- Pampa
- Homero
- El Marne
- El Irresistible
- No Te Vayas Mi Bien
- Viento Sur
- Matrimonio
- De Abolengo
- Pero Te Sigo Queriendo
- Malas Mañas
- Jueves
- Como Una De Tantas
- Guapo Y Querendon
- El Chupete
- Suavemente
- Bien Jaileife
- Avivate Pipistrelo
Canta:
- Alberto Echagüe (2,3,10,11,13,15,18-20)
- Armando Laborde (8,12,16)
Cantemos Corazón - Calla Bandoneón (1955-1957)
BMG 669347
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Track list
- La Catrera
- La Loca
- Eras Como La Flor
- Chamusquina
- Palabras Amargas
- Me Quieres Y Te Quiero vals
- La Tango
- Petitero
- Ay Mimosa
- Cantemos Corazón
- Lloremos
- Aclaremos
- Calla Bandoneón
- Pampeana milonga
- Que Me Quiten Lo Bailao
- Esta Vida Es Puro Grupo
- Olga vals
- Criticona milonga
- El Puazo
- Yo Me Quedo Con El Tango
Canta:
- Armando Laborde (3,5,6,9-13,15)
- Alberto Echagüe (4,7,8,16,18,20)
Criollo De Ley (1957-1958)
BMG 669349
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Track list
- Julie
- Mandria
- En El Rosal
- Don Goyo
- En El Cielo
- Si Soy Así
- Santa Milonguita
- Imperdonable
- Criollo De Ley
- Muchachita De París
- No Tenemos Perdon
- El Tango No Tiene Contra
- Barrio De Guapos
- Lástima
- El Embrollo
- No Llores Por Favor
- Don Alejandro
- Gerardo Matos Rodriguez
- Sabras Quien Soy
- Adiós Chantecler
Canta:
- Jorge Valdez (3,7,10,13,14,16,19,20)
- Mario Bustos (6,8,11,12,18)
Barrio Belgrano - Más Grande Que Nunca (1958-1959)
BMG 669350
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Track list
- Barrio Belgrano
- Moneda Sin Valor
- Feliz Navidad
- No, No Me La Nombres
- Diez Años
- Por Tu Culpa Te Perdi
- Bonanza
- Más Grande Que Nunca
- Dame Mi Libertad
- La Bruja
- Pasajera
- Con Alma De Tango
- Quien Como Yo
- Porque Te Sigo Queriendo
- Judas
- Por La Vuelta
- Rie Payaso
- Amar Para Qué?
- Tapado Gris
- Que Dios Nos Comprenda
Canta:
- Jorge Valdez (2,3,5,6,9,11,13,14,16,18,20)
- Mario Bustos (4,7,10,15,17)
Rompe y Raja (1960-1961)
BMG 669351
1960 and D'Arienzo is at his most camp. Jorge Valdez and Horacio Palma share the majority of the vocals.
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Track list
- 14 De Diciembre
- El Vino Triste
- Cuatro Pasos En Las Nubes
- Hablame De Frente
- Rosita De Arrabal
- Rompe Y Raja
- Detras De Tus Mentiras
- Tu Olvido Y Yo
- Tu Amor Fue Mentira
- Felicidad
- Una Carta
- Llore Como Un Pibe
- Garronero
- Mi Viejo Montevideo
- Cielo De Sombra
- Medianoche
- El Abc Del Amor
- Dicha Pasada
- Color Esperanza
- En La Madrugada
- La Calle Del Pecado
- Despues De La Boda
Canta:
- Horacio Palma (1-4,6,9,11,13,16-18,20)
- Jorge Valdez (5,7,8,10,12,19)
- duo Palma - Valdez (15)
- Antonio Prieto (21,22)
Puro Tango (1961)
BMG 669352
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Track list
- Puro Tango
- Paciencia
- Adiós Arolas
- El Ultimo Brindis
- Gi Gi
- Gran Señor
- Yo Te Saludo Palermo
- Yo Solo
- Volves A Mi
- Valoro A Ese Hombre
- Poco Y Bueno
- Mientras Sueña Buenos Aires
- Mi Novia De Ayer vals
- Morocho Y Cantor
- A Mis Pagos Voy
- Chiquita Y Bonita
- Por Eso Vengo A Cantar
- Manos Heridas
- Yo Me Presento Aqui
- Ilusión Burrera
- Prefiero Perderte
- Tambaleando
Canta:
- Horacio Palma (2,4,10,14,17,20,22)
- Jorge Valdez (3,5,7,9,12,13,15,16,18,21)
Del Compás Te Llaman Rey (1962-1963)
BMG 669354
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Track list
- Formidable
- Del Compás Te Llaman Rey
- Vos Y Yo Corazón
- Malumba
- Viejo Madrid
- Tu Verdugo
- Escucha Tango
- Soy Ladron De Un Corazón
- Ya Te Arrepentiras
- El Victorioso
- Carita De Luna
- Callejera
- Ave De Paso
- El Tigre De Almagro
- Fangal De Dolor
- Malevaje
- Entre Tango Y Zamba
- Amigazo
- Cumpleaños De Mi Esposa
- Langosta
Canta:
- Horacio Palma (2,6,8,14,16,18,20)
- Jorge Valdez (3,5,7,9,11,13,15,17,19)
- dúo Palma - Valdez (4)
- Héctor Millán (12)
Milonga De Mis Amores (1964-1975)
BMG 669355
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Track list
- El Alacran;
- Estampas De Antaño
- Suerte Loca
- Sentimiento Gaucho
- Yo No Se Que Me Han Hecho Tus Ojos vals
- La Mimada
- Dandy
- De Puro Curda
- Bailate Un Tango Ricardo
- Papas Calientes milonga
- El Aguacero
- Glorioso Chantecler
- Oro Y Diamantes
- Senda Florida
- El Latigo
- Zapatitos De Raso
- Milonga De Mis Amores milonga
- Juan Compás
- Mi Viejo Vals vals
- El Bar De Rosendo
- Mimi Pinsón
- Riobamba
Canta:
- Armando Laborde (2,3,8)
- Osvaldo Ramos (4,5,7,9,12-14,19-21)
- dúo Laborde - Ramos (6,11,16)