Cuesta Arriba
Tango Club
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Welcome to our Tango Music Club!
Nothing improves your dancing so much as a good feeling for the special qualities of tango music. The idea of the club was to help you build a library of good tango music, tailored to your own tastes.
The club ran for 8 years, from December 2008 to December 2015, but was forced to close because of the reducing supply of tango CDs, itself a consequence of on-line listening (youtube and spotify) and of course copying.
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This month's cds (September 2013):
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Troilo en RCA vol.4 Uno (1943)
EMI 659439
Beautiful, sophisticated, tango that is suddenly fashionable since Carlitos & Noelia started dancing to it
Tracks such as Farolito de papel show why many milongueros consider Alberto Marino to be the better voice than Fiorentino (gasp!) for the slower paced music that Troilo began to make in 1942.
Track list
- Uno
- Percal
- Cuando tallan los recuerdos
- Margarita Gauthier
- Barro
- Ropa blanca milonga
- Corazon... no le hagas caso
- Cada vez que me recuerdes
- Inspiración
- Soy un porteno
- Farolito de papel
- Buenos Aires
- Tango y copas
- Valsecito amigo vals
- Por las calles de la vida
- Soy del 90
Cantan:
- Francisco Fiorentino (2,4,5,7,8,10,12,14,15,16)
- Alberto Marino (1,3,6,11,13)
Grandes Del Tango 44: Héctor Varela
Lantower GDT 44
A double album as a club CD? Yes - just this month only
Héctor Varela resigned from D'Arienzo's orchestra in 1950 after a decade as its first bandoneón and arranger. He was widely expected to produce a copycat orchestra as Juan Polito had done before him, but to everyone's surprise he developed his own style. This CD runs in chronological order and presents the tangos which made such an impact at the time. Most popular nowadays however are the later vocals such as Fueron tres años, which became a big hit a few years ago.
stocks now exhausted
Disc 1
- El rápido
- El flete
- Un bailongo milonga
- Farolito viejo
- La trilla
- A la gran muñeca
- Yuyo brujo
- El bulín de la calle Ayacucho
- Sábado inglés
- Paciencia
- Criolla linda
- Anoche a las dos
- La carreta
- El africano
- Suipacha
- Patio porteño vals
- El as de los ases
- Tierra negra
- Llanto de amor
- Noches de cabaret
- Canaro en París
- Tal para cual
- Don Orlando
- Novia provinciana
canta:
- dúo Armando Laborde y Rodolfo Lesica (3,13,16)
- Armando Laborde (4,7,12)
- Rodolfo Lesica (8,10,17,20,22)
- Argentino Ledesma (24)
Disc 2
- La chacarera
- Champagne tango
- A tres bandas
- Que sigan charlando
- Yo también
- Prienda
- El fustazo
- Los diablos rojos
- Aguantalo si podés
- Murió el malevo
- Volvé mi negra
- Moneda de cobre
- Igual que dos palomas vals
- Mi dolor
- La taba milonga
- Y no te voy a llorar
- Eras como la flor
- Fumando espero
- Viejo rincón
- Portero suba y diga
- Fueron tres años
- Silueta porteña milonga
- Qué tarde que has venido
- Muchacha
canta:
- Rodolfo Lesica (4,10,11)
- Argentino Ledesma (5,6,12,16,24)
- dúo Lesica - Ledesma (13)
Osvaldo Pugliese - Sus éxitos con Alberto Morán
DBN 495373
Alberto Morán was the most passionate singer ever in tango. The effect he had on the public was rather like that of the first rock stars. When he sang, all the women rushed to the stage and the men found themselves without partners
Pugliese knew what he had in Alberto Morán and with him he embarked on a renovation of the tango song. The music they developed together was not really intended for dancing, and you might say that Morán spearheaded the change away from the cantor de orquesta - the orchestra singer - to the singer who had emerged from the orchestra's ranks and had become the star of the show. This process really kicks in 1951 with tracks such as Barro and Pasionál, one of the most dramatic tangos of all time, and reaches it's full flowering with 1953's San José de FLores which is pretty much undanceable.
That's not to say that their earlier work (Morán sang with Pugliese from 1945-1954) didn't produce some great tracks for dancing as well - but they are more challenging for dancers than Pugliese's work with Chanel. Tracks such as Yuyo verde, Maleza, El abrojito and especially the wonderful Sin palabras all deserve to be heard at the milonga - just not every week.
This is a great CD, but my advice is to take it in small doses
Track list
- El abrojito
- Yuyo verde
- Príncipe
- No me escribas
- Maleza
- Sin palabras
- Ilusión marina
- Mentira
- Demasiado tarde
- Una vez
- Pasional
- Descorazonado
- Barro
- Cadenas
- Frente a una copa
- San José de Flores
- Y volvemos a querernos
- Cobardia
- Cualquier cosa
- Desvelo
Tango Collection - Tita Merello
RGS 1792
A huge personality, Tita Merello presents tango from the other side of the tracks - the arrabal.
Actress as well as singer, she was even more successful in the 1950s than the 1940s and continued working into the 1990s. Witty and temperemental, she stamped her personality upon all her work. This is the cheekiest tango you'll ever hear!
Track list
- Que careta
- Mi papito
- Tata...llevame pal centro
- Che bacana
- No es por hablar mal
- La viuda misteriosa
- Quien te ve
- Che... Pepinito
- Mama mía... que mujer
- Paquetín... paquetón
- Trabajar... nunca
- No te hagas curar
- Mascarón de proa
- Los cardales
- Que torcido andás Julián!!
- Te has comprado un automóvil
- Ña.. to.. ri.. bia
- Torta frita
- No te aguanto más
- Sos una fiera
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