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Tango Club
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Welcome to our Tango Music Club!
Nothing improves your dancing so much as a good feeling for the special qualities of tango music. The idea of the club was to help you build a library of good tango music, tailored to your own tastes.
The club ran for 8 years, from December 2008 to December 2015, but was forced to close because of the reducing supply of tango CDs, itself a consequence of on-line listening (youtube and spotify) and of course copying.
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This month's cds (October 2014):
Continuing the Troilo centenary, more beautiful, danceable Troilo from the mid 1940s.
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Quejas De Bandoneón (1944)
BMG 659442
Fiorentino is gone and with him the ductility and emotional range that made him the greatest singer of the early part of the 1940s. But music is moving on, changing style. After six months, Troilo finds the new singer he needs in Floreal Ruiz, whom he poached from De Angelis. His first recording with Troilo was Marioneta, a song he brought with him, and a comparison of the two versions is intriguing: both danceable, the voice equally fine in both interpretations, but Troilo's interpretation has more colour, and a subtlety that we don't find with De Angelis's simpler treatment. In Marino and Ruíz, Troilo has the best partnership for the more sophisticated music now developing.
Track list
- Quejas de bandoneón
- Naranjo en flor
- Palomita blanca vals
- Café de los angelitos
- Rosa de tango
- Milonga en rojo milonga
- Nada más que un corazón
- Marioneta
- Copas, amigas y besos
- Torrente
- Luna llena
- Me estan sobrando las penas
- Alhucema
- Con permiso milonga
Cantan:
- Alberto Marino (4,5,7,9,10,12,13,14)
- Floreál Ruz (2,8,11)
- dúo Marino-Ruiz (3,6)
Felipe Antonio - Tangos Valses Milongas Pasodobles
Magenta 88020
Felipe Antonio was another artist like Rafael Rossi who made music with a countryside feeling - even when performing city music. The group sounds like a trio of a bandoneón (presumably Antonio himself) backed by two guitars. The arrangements are very simple, the playing unsophisticated, but it's charming and easy to enjoy. Just the thing when you've had too much Troilo :)
Despite the title, I couldn't find any milongas here.
Track list
- Nueve de julio
- Rosas de otoño vals
- El amanecer
- Ensueño vals
- Jueves
- Manojito de claveles pasodoble
- Siga el corso
- El niño de las monjas pasodoble
- Una lágrima vals
- El choclo
- Quitapenas pasodoble
- Tendrás que llorar vals
- Derecho viejo
- Desde el alma vals
- La viruta
- El aeroplano vals
- Sentimiento gaucho
- Sueño de cascabel pasodoble
The Masters of Tango - Juan D'Arienzo - El simpático
LCDM 2742312
Since the D'Arienzo albums on Euro Records Colección 78 RPM were deleted this is now one of the best places to look for D'Arienzo's instrumentals. Letting down this excellent compiltation are the last four tracks from 1960-1961. Ignore these, however, and you have a very good album.
Excellent liner notes as always in this series.
Track list
- El resero
- Vea vea
- El romántico
- Don Alfonso
- La maleva
- Canaro en París
- Tucumán
- Don Juan
- La cumparsita (1951)
- El simpático
- Yapeyu
- Luis Alberto
- El pollo Ricardo
- Julie
- Don Goyo
- El embrollo
- Criollo de ley
- Don Alejandro
- Barrio Belgrano
- Mas grande que nunca
- Tapado gris
- Mi viejo Montevideo
- Puro tango
- Gran señor
- Poco y bueno
Osvaldo Pugliese - Sus éxitos con Roberto Chanel
Reliquias 495374
Fabulous 40s sides of Pugliese with his greatest singer Roberto Chanel. Pugliese has been criticised over the years for his choice of singers but mostly by people who are not very well informed. True, his 60s recordings with Abel Córdoba have not stood the test of time - but have anyone's vocal tangos from the 1960s? D'Arienzo with Jorge Valdéz anyone?
A fairer criticism would be that with the dramatic Alberto Morán, Pugliese began the de-integration of the singer from the orchestra, reversing the whole trend of the 1940s. It's true - although the recordings from this transition period (especially the ones from 1950 with Jorge Vidal) are tremendously exciting.
Before this, back in the 1940s Pugliese had a fantastic cantor de orquesta
(orchestra singer) in the body of Roberto Chanel.
Tracks such as Yo te bendigo,
Corrientes y esmeralda and
La abandoné y no sabía
give me goose bumps.
I can't understand why these tracks aren't better known and more-often played at the milonga.
This is a cd for real connosieurs of tango music, who will also find it interesting to compare the songbook of Chanel with that of Enrique Campos with Tanturi.
Track list
- Yo te bendigo
- Fuimos
- Rondando tu esquina
- La abandoné y no sabía
- Corrientes y esmeralda
- Puenticito de mi río vals
- Farol
- Muchachos comienza la ronda
- Nada más que un corazón
- Galleguita
- Sin lágrimas
- Tu casa ya no esta vals
- Tiempo
- Ojos maulas
- Amigas
- Consejo de oro
- Que bien te queda
- El tango es una historia
- Escúchame Manón
- Cabecitas blancas
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